How write a good describe your personality essay Our strength and weakness in describe your personality essay Our personal traits make us who we are. Different people can have similar traits, but exactly the combination of all our traits makes us unique. Our traits can help us an also can create obstacles.
Yet there is general recognition today that history and biography are quite distinct forms of literature. History usually deals in generalizations about a period of time for example, the Renaissanceabout a group of people in time the English colonies in North Americaabout an institution monasticism during the Middle Ages.
Both biography and history, however, are often concerned with the past, and it is in the hunting down, evaluating, and selection of sources that they are akin. In this sense biography can be regarded as a craft rather than an art: A biographer in pursuit of an individual long dead is usually hampered by a lack of sources: No method has yet been developed by which to overcome such problems.
Each life, however, presents its own opportunities as well as specific difficulties to the biographer: Another masterpiece of reconstruction in the face of little evidence is A. A further difficulty is the unreliability of most collections of papers, letters, and other memorabilia edited before the 20th century.
Not only did editors feel free to omit and transpose materials, but sometimes the authors of documents revised their personal writings for the benefit of posterityoften falsifying the record and presenting their biographers with a difficult situation when the originals were no longer extant.
The biographer writing the life of a person recently dead is often faced with the opposite problem: Frank Friedel, for example, in creating a biography of the U. Roosevelthad to wrestle with something like 40 tons of paper. Psychological Assembling a string of facts in chronological order does not constitute the life of a person; it only gives an outline of events.
The biographer who has known his subject in life enjoys the advantage of his own direct impressions, often fortified by what the subject has himself revealed in conversations, and of his having lived in the same era thus avoiding the pitfalls in depicting distant centuries.
Biographers of the 20th century have had at their disposal the psychological theories and practice of Sigmund Freud and of his followers and rivals. The extent to which these new biographical tools for the unlocking of personality have been employed and the results of their use have varied greatly.
On the one hand, some biographers have deployed upon their pages the apparatus of psychological revelation—analysis of behaviour symbols, interpretation based on the Oedipus complexdetection of Jungian archetypal patterns of behaviour, and the like.
Ethical The biographer, particularly the biographer of a contemporary, is often confronted with an ethical problem: Since the inception of biographical criticism in the later 18th century, this somewhat arid—because unanswerable—question has dominated both literary and popular discussion of biographical literature.
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Upon the publication of the Life of Samuel Johnson, James Boswell was bitterly accused of slandering his celebrated subject. Kennedycreated an even greater stir in the popular press.
That course in the 20th century is sometimes complicated by the refusal of the custodians of the papers of important persons, particularly national political figures, to provide access to all the documents. Aesthetic Biography, while related to history in its search for facts and its responsibility to truth, is truly a branch of literature because it seeks to elicit from facts, by selection and design, the illusion of a life actually being lived.
Within the bounds of given data, the biographer seeks to transform plain information into illumination.
If he invents or suppresses material in order to create an effect, he fails truth; if he is content to recount facts, he fails art. This tension, between the requirements of authenticity and the necessity for an imaginative ordering of materials to achieve lifelikeness, is perhaps best exemplified in the biographical problem of time.
On the one hand, the biographer seeks to portray the unfolding of a life with all its cross-currents of interests, changing emotional states, events; yet in order to avoid reproducing the confusion and clutter of actual daily existence, he must interrupt the flow of diurnal time and group his materials so as to reveal traits of personality, grand themes of experience, and the actions and attitudes leading to moments of high decision.
His achievement as a biographical artist will be measured, in great part, by his ability to suggest the sweep of chronology and yet to highlight the major patterns of behaviour that give a life its shape and meaning. Kinds Biographies are difficult to classify.
It is easily recognizable that there are many kinds of lifewriting, but one kind can easily shade into another; no standard basis for classification has yet been developed.
A fundamental division offers, however, a useful preliminary view: Firsthand knowledge The biography that results from what might be called a vital relationship between the biographer and his subject often represents a conjunction of two main biographical forces: This kind of biography is, in one form or another, to be found in most of the cultures that preserve any kind of written biographical tradition, and it is commonly to be found in all ages from the earliest literatures to the present.
In its first manifestationsit was often produced by, or based upon the recollections of, the disciples of a religious figure—such as the biographical fragments concerning Buddha, portions of the Old Testamentand the Christian gospels.
Biography based on a living relationship has produced a wealth of masterpieces:Psychological researchers sometimes use a five-factor model (FFM) to evaluate what are believed to be five core aspects, or traits, of an individual’s personality.
Commonly referred to as the “Big 5,” these traits include openness to experience, conscientiousness, extroversion - introversion, agreeableness, and neuroticism ; they are sometimes .
word usage and narrative approaches to personality, by examining how self-reported personality traits relate to word use during the production of self-narratives.
A group of undergraduate students were guided through two automated self-authoring processes, one of which facilitates the telling of the past and one the planning of the future. Personality Test Analysis - a. According self tests using the Five Factor Model, my personality has low extraversion and emotional stability, a high degree of openness, and moderate levels of agreeableness and conscientiousness.
Personal Narrative: Self Personality Assessment Personality traits affect every person in the world.
Every. Start studying Chapter 9: Personality. Learn vocabulary, terms, and more with flashcards, games, and other study tools. Search.
o Personality traits tend to be stable when data are averaged over large groups of people a personal narrative history that organizes past events into a coherent sequence. To consider the role of narcissism in Donald Trump’s life is to go beyond the dispositional traits of the social actor—beyond the high extroversion and low agreeableness, beyond his personal schemata for decision making—to try to figure out what motivates the man.
Since the rise of the social-behaviorist approach to personality and its elaboration with cognitive concepts following “the cognitive revolution,” psychodynamic theories, usually identified with Sigmund Freud, have taken a beating.